Tag Archives: emily dickinson

Repost of The Theology of a Poet

Many thanks to Jim Van Vurst for his homage to Emily Dickinson below. And check out the Franciscan Spirit Blog also referenced.

Notes from a Friar: The Theology of a Poet

Notes on paper | Photo by Álvaro Serrano on Unsplash

I don’t read a lot of poetry, but I do have a favorite author and one who is deeply appreciated by many: Emily Dickinson. She lived in Amherst, Massachusetts, in the latter part of the 19th century. She was shy and lived a very reclusive life. During her 55 years, she wrote over 1,500 poems which were filled with simple wisdom. Two examples of such wisdom: “Old age comes on suddenly, not gradually as it thought” and “Saying nothing sometimes says the most.”

Only a few dozen of her poems were published in her lifetime. When she died, her family found hundreds more hidden all over her room and throughout the house. I have found two of her poems supremely thoughtful. In fact, I frequently quote them in my funeral homilies. The first one I use is “I Never Saw a Moor.”

“I never saw a moor; I never saw the sea;
Yet know I how the heather looks and what a wave must be.
I never spoke with God nor visited in heaven,
Yet, certain am I of the spot, as if the chart were given.”

Deep Truths

I catch people smiling when they hear Dickinson’s words because they touch on a truth that is in every believer’s heart. Isn’t it true that we’ve never seen heaven or had an audible conversations with God? Yet, as a people of faith, are we not certain of that heavenly “spot” as if we had a very map in front of us?

If you argued with a nonbeliever who begged you to prove there was an eternal destiny, you might find yourself fumbling for Scripture passages to prove heaven to him. But I suspect after all the Scripture passages we might quote, what would likely make the nonbeliever think more deeply would be a line from one of Dickinson’s poems: “I’m certain of that spot; it’s like I have a map right in front of me.”

There is another poem she wrote that startles with its simple truth.
“Because I could not stop for Death–
He kindly stopped for me–
The Carriage held but just Ourselves–
And Immortality.”

While most of us secretly hope for a peaceful death with loved ones surrounding us, for the majority, it is not we who “stop to die,” but death which stops for us. And within that carriage, in the seat across from us, sits immortality, with a lovely smile.

What I see in this poem is really a basic truth of faith. Once God gives life, it never ends. It can’t end because our lives are a sharing in the eternal life of God. The moment of death is just the last piece of mosaic that completes the story of our life’s journey. And every moment of that journey has been accompanied by a loving and providential God.

Dickinson said that she never went to church. She said that the birds were her choir and the sky her cathedral vault. But one thing is quite certain: She was a woman of deep faith.

High Coo – Nov 12 – Emily Dickinson First Published

Emily Elizabeth Dickinson was born 1830 in Amherst, Massachusetts and died 55.5 years later in 1886. Her first book of poetry was published four years after her death on November 12th, 1890.

It is reported that only 10 of her nearly 1,800 poems were published during her lifetime. No one realized she was such a prolific writer until her cache of poetry was discovered by her sister after her death. https://en.wikipedia.org/wiki/Emily_Dickinson

What few poems were published during her lifetime were heavily edited to meet the “standards” of acceptable poetry as determined by the publishers of her time.

A complete collection of her poetry did not become available until 1955 (65 years after her death). “The Poems of Emily Dickinson — Emily Dickinson, Thomas H. Johnson”. Harvard University Press.

Today’s homage haiku: Emily Dickinson First Published

unacceptable

during your lifetime – today

you are a model

Publishers interested in book sales may not appreciate your work today. The “fickle finger of fate” may not “reward” you during your lifetime. Nevertheless, the reasons you write, and the acceptable standards of your writing, are something only you can determine.

HOW I COUNT TO ZEN – 43*

“With Ch’an, I better understand myself, my mission in time and space. No drama and dharma are what I seek; decent and solid is my true face.

When change is where we live, from dyana to zazen I count, at least to five; breath to body to kindness, twelve links and paramount.

The flower tells me no fixed formula to finding a peaceful moon. Observer and observed, no mind; full, half, Burmese, or kneeling rune.

Lying down or walking; all are healing. Breathing from belly my half-smile arises. I hear One Love in every sone. Zazen, kinhin, and chanting surprises:

plan, do, check, act through all my days, kaizen by point or by the whole. I ask why at least five times to comfort any painful earhole.

To love thee with smiles and tears and breath, I fondly count till my counting ends and love Thee better through birth and death.”

*With a nod to Elizabeth Barrett Browning’s “Sonnet 43

NATURAL BEAUTY AND OTHER POEMS, p.53